Guggenheim Helsinki

Museum of Architecture and Landscape

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Guggenheim Helsinki

Museum of Architecture and Landscape

A Museum as a City Project

The Guggenheim Helsinki is based on the idea that a museum can be much more than just a building dedicated to art. It can become a cultural infrastructure capable of fostering new connections between the city, the harbor, and the landscape, contributing to the transformation of an entire urban area.

The project interprets the waterfront as a continuous public space, where architecture, nature, and community life come together as a single system. The museum does not impose itself as a self-referential object, but rather emerges from the landscape, transforming the redevelopment of the harbor area into an opportunity for urban regeneration and the redefinition of Helsinki’s contemporary identity.

Key data

Location Varna, Bulgaria Year 2015 Area 29.600 m² Client Municipality of Varna

Figures

Founding Partners Michele Molè and Susanna Tradati Design lead Alessandra Giannone Design team Paolo Greco, Paolo Maselli, Giuseppe Zaccaria

Status

Competition

Key data

Location Helsinki, Finland Year 2014 Area 13,100 m² Client -

Figures

Founding Partners Michele Molè and Susanna Tradati Design lead Michele Molè Design lead coordinator – Space Planning Alessandra Giannone Design Team - Visual Team - Consultants Facilities HGM Associates Inc. Systems, Sustainability, Fire Protection Transsolar | KlimaEngineering

Status

Competition

Revitalizing the waterfront

The project goes beyond the scale of the building to establish a new relationship between the waterfront, the Makasiini Terminal, public spaces, and the urban fabric.

The museum becomes the driving force behind an urban strategy that restores continuity between the city and the sea, strengthening the role of the waterfront as a civic and cultural space.

Duality as a structure of the landscape

The project takes shape through two complementary systems—the Hill and the Iceberg—that interpret the tension between land and sea. These are not two separate entities, but a single architectural landscape capable of forging new visual, functional, and environmental connections between the port and the city.

Form arises from the landscape

Form is not added, but rather created through a process of subtraction. The excavation creates spaces, connects the various levels of the project, and defines a central water feature that becomes the heart of the public space—an element of continuity between architecture and landscape.

A museum open to the city

The exhibition layout is designed as part of a broader spatial system, in constant dialogue with the public space and the waterfront.

The museum spaces, arranged around a large central hall, foster a seamless experience in which the interior and exterior, culture and the city, become part of the same sequence.